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Wiertz (1806-1865), whose collection of works is to be seen in Brussels, was a partial exposition of romanticism mixed with a what-not of eccentricity entirely his own. Later on came a comparatively new man, Louis Gallait (1810-?), who held in Brussels substantially the same position that Delaroche did in Paris. His art was eclectic and never strong, though he had many pupils at Brussels, and started there a rivalry to Wappers at Antwerp. Leys (1815-1869) holds a rather unique position in Belgian art by reason of his affectation. He at first followed Pieter de Hooghe and other early painters. Then, after a study of the old German painters like Cranach, he developed an archaic style, producing a Gothic quaintness of line and composition, mingled with old Flemish coloring. The result was something popular, but not original or far-reaching, though technically well done. His chief pupil was Alma Tadema (1836-), alive to-day in London, and belonging to no school in particular. He is a technician of ability, mannered in composition and subject, and somewhat perfunctory in execution. His work is very popular with those who enjoy minute detail and smooth texture-painting.

And I will then try and establish a second proposition, namely, that we are intimately concerned with the condition of Europe, and are daily becoming more so, owing to processes which have become an integral part of our fight against nature, of the feeding and clothing of the world; that we cannot much longer ignore the effects of those tendencies which bind us to our neighbors; that the elementary consideration of self-protection will sooner or later compel us to accept the facts and recognize our part and lot in the struggles of Christendom; and that if we are wise, we shall not take our part therein reluctantly, dragged at the heels of forces we cannot resist, but will do so consciously, anticipating events. In other words, we shall take advantage of such measure of detachment as we do possess, to take the lead in a saner organization of western civilization; we shall become the pivot and centre of a new world State.

There is good ground for maintaining that Easter and its accessory celebrations mark with tolerable accuracy the anniversaries of the Passion and Resurrection of our Lord, because we know that the events themselves took place at the period of the Jewish Passover; but no such precision of date can be adduced as regards Christmas. Dr. Geikie[1] says: "The _season_ at which Christ was born is inferred from the fact that He was six months younger than John, respecting the date of whose birth we have the help of knowing the time of the annunciation during his father's ministrations in Jerusalem. Still, the whole subject is very uncertain. Ewald appears to fix the date of the birth as five years earlier than our era. Petavius and Usher fix it as on the 25th of December, five years before our era; Bengel, on the 25th of December, four years before our era; Anger and Winer, four years before our era, in the spring; Scaliger, three years before our era, in October; St. Jerome, three years before our era, on December 25th; Eusebius, two years before our era, on January 6th; and Ideler, seven years before our era, in December." Milton, following the immemorial tradition of the Church, says that-- "It was the winter wild."


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