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Searchology Directory 07
Page 04
Shortly afterward Tullus Hostilius made war against the Etruscans of Fidenae and Veii. The Albans, under their dictator Mettius Fuffetius, followed him to the war as the subjects of Rome. In the battle against the Etruscans, the Alban dictator, faithless and insolent, withdrew to the hills, but when the Etruscans were defeated he descended to the plain, and congratulated the Roman king. Tullus pretended to be deceived. On the following day he summoned the two armies to receive their praises and rewards. The Albans came without arms, and were surrounded by the Roman troops. They then heard their sentence. Their dictator was to be torn in pieces by horses driven opposite ways; their city was to be razed to the ground; and they themselves, with their wives and children, transported to Rome. Tullus assigned to them the Caelian Hill for their habitation. Some of the noble families of Alba were enrolled among the Roman patricians, but the great mass of the Alban people were not admitted to the privileges of the ruling class. They were the origin of the Roman _Plebs_, who were thus quite distinct from the Patricians and their Clients. The Patricians still formed exclusively the Populus, or Roman people, properly so called. The Plebs were a subject-class without any share in the government.
The first care of the male stickleback, when he has acquired his courting suit, is to build a suitable home for his future wives and children. So he picks up stems of grass and water-weeds with his mouth, and weaves them deftly into a compact nest as perfect as a bird's, though some what different in shape and pattern, it rather resembles a barrel, open at both ends, as though the bottom were knocked out: this form is rendered necessary because the eggs, when laid, have to be constantly aerated by passing a current of water through the nest as I shall describe hereafter. No. 1 shows us such a nest when completed, with the female stickleback loitering about undecided as to whether or not she shall plunge and enter it. You will observe that the fabric is woven round a fixed support of some waving water-weeds; but the cunning little architect does not trust in this matter to his textile skill alone; he cements the straws and other materials together with a gummy mortar of mucous threads secreted for the purpose by his internal organs.
What, again, is one to make of Dickens, with his love of private theatricals, his florid waistcoats and watch-chains, his sentimental radicalism, his kindly, convivial, gregarious life? He, again, did his work in a rapture of solitary creation, and seemed to have no taste for discussing his ideas or methods. Then, too, Dickens's later desertion of his work in favour of public readings and money-making is curious to note. He was like Shakespeare in this, that the passion of his later life seemed to be to realise an ideal of bourgeois prosperity. Dickens seems to have regarded his art partly as a means of social reform, and partly as a method of making money. The latter aim is to a great extent accounted for by the miserable and humiliating circumstances of his early life, which bit very deep into him. Yet his art was hardly an end in itself, but something through which he made his way to other aims.
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