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Searchology Directory 11
Page 05
And on the other side, counsellors should not be too speculative into their sovereign's person. The true composition of a counsellor, is rather to be skilful in their master's business, than in his nature; for then he is like to advise him, and not feed his humor. It is of singular use to princes, if they take the opinions of their counsel, both separately and together. For private opinion is more free; but opinion before others, is more reverent. In private, men are more bold in their own humors; and in consort, men are more obnoxious to others' humors; therefore it is good to take both; and of the inferior sort, rather in private, to preserve freedom; of the greater, rather in consort, to preserve respect. It is in vain for princes, to take counsel concerning matters, if they take no counsel likewise concerning persons; for all matters are as dead images; and the life of the execution of affairs, resteth in the good choice of persons. Neither is it enough, to consult concerning persons secundum genera, as in an idea, or mathematical description, what the kind and character of the person should be; for the greatest errors are committed, and the most judgment is shown, in the choice of individuals. It was truly said, optimi consiliarii mortui: books will speak plain, when counsellors blanch.Therefore it is good to be conversant in them, specially the books of such as themselves have been actors upon the stage.
Rhode Island had worse troubles than Connecticut. It, too, had boundary disputes, serious and perpetual; but graver by much were its internal feuds, caused partly by the mutual jealousy of its four towns, partly by the numerous and jarring religious persuasions here represented. Government was painfully feeble. Only with utmost difficulty could the necessary taxes be raised. Warwick in particular was for some time in arrears to John Clark, of Newport, for his invaluable services in securing the charter of 1663. Quakers and the divers sorts of Baptists valiantly warred each against other, using, with dreadful address, those most deadly of carnal weapons, tongue and pen. On George Fox's visit to the colony, Roger Williams, zealous for a debate, pursued the eminent Quaker from Providence to Newport, rowing thither in his canoe and arriving at midnight, only to find that his intended opponent had departed, The latter's champion was ready, however, and a discussion of four days ensued.
At Augsburg there was still another school, which came into prominence in the sixteenth century with Burkmair and the Holbeins. It was only a part of the Swabian school, a concentration of artistic force about Augsburg, which, toward the close of the fifteenth century, had come into competition with Nuremberg, and rather outranked it in splendor. It was at Augsburg that the Renaissance art in Germany showed in more restful composition, less angularity, better modelling and painting, and more sense of the _ensemble_ of a picture. Hans Burkmair (1473-1531) was the founder of the school, a pupil of Schoengauer, later influenced by Duerer, and finally showing the influence of Italian art. He was not, like Duerer, a religious painter, though doing religious subjects. He was more concerned with worldly appearance, of which he had a large knowledge, as may be seen from his illustrations for engraving. As a painter he was a rather fine colorist, indulging in the fantastic of architecture but with good taste, crude in drawing but forceful, and at times giving excellent effects of motion. He was rounder, fuller, calmer in composition than Duerer, but never so strong an artist.
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