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"It is almost impossible to convey in words an idea of the quickness and graceful address of her movements: they may indeed be termed aerial, as she seems merely to touch in her progress the branches among which she exhibits her evolutions. In these feats her hands and arms are the sole organs of locomotion, her body, hanging as if suspended by a rope, sustained by one hand (the right, for example), she launches herself, by an energetic movement, to a distant branch, which she catches with the left hand; but her hold is less than momentary; the impulse for the next launch is acquired; the branch then aimed at is attained by the right hand again, and quitted instantaneously, and so on, in alternate succession. In this manner spaces of twelve and eighteen feet are cleared, with the greatest ease and uninterruptedly, for hours together, without the slightest appearance of fatigue being manifested; and it is evident that, if more space could be allowed, distances very greatly exceeding eighteen feet would be as easily cleared; so that Duvaucel's assertion that he has seen these animals launch themselves from one branch to another, forty feet asunder, startling as it is, may be well credited. Sometimes, on seizing a branch in her progress, she will throw herself, by the power of one arm only, completely round it, making a revolution with such rapidity as almost to deceive the eye, and continue her progress with undiminished velocity. It is singular to observe how suddenly this Gibbon can stop, when the impetus giving by the rapidity and distance of her swinging leaps would seem to require a gradual abatement of her movements. In the very midst of her flight a branch is seized, the body raised, and she is seen, as if by magic, quietly seated on it, grasping it with her feet. As suddenly she again throws herself into action.

The fifth chapel represents the birth of the Virgin. Having obtained permission to go inside it, I found the date 1715 cut large and deep on the back of one figure before baking, and I imagine that this date covers the whole. There is a Queen Anne feeling throughout the composition, and if we were told that the sculptor and Francis Bird, sculptor of the statue in front of St. Paul's Cathedral, had studied under the same master, we could very well believe it. The apartment in which the Virgin was born is spacious, and in striking contrast to the one in which she herself gave birth to the Redeemer. St. Anne occupies the centre of the composition, in an enormous bed; on her right there is a lady of the George Cruikshank style of beauty, and on the left an older person. Both are gesticulating and impressing upon St. Anne the enormous obligation she has just conferred upon mankind; they seem also to be imploring her not to overtax her strength, but, strange to say, they are giving her neither flowers nor anything to eat and drink. I know no other birth of the Virgin in which St. Anne wants so little keeping up.

The attempt to settle the indemnity to be paid the clergy dragged on through the remainder of the year, and was not then completed. Councils were held at London, Wallingford, and Reading, early in October, November, and December respectively, in each of which the subject was discussed, and left unsettled, except that after the Reading council the king paid the archbishop and the bishops who had been exiled 15,000 marks. At the end of September a legate from the pope, Cardinal Nicholas, landed in England, and to him John repeated the surrender of the crown and his homage as the pope's vassal. Along with the question of indemnity, that of filling up the vacant sees was discussed, and with nearly as little result. The local officers of the Church were disposed to make as much as possible out of John's humiliation and the chapters to assert the right of independent election. The king was not willing to allow this, and pope and legate inclined to support him. On October 14 the justiciar, Geoffrey Fitz Peter, died. John's exclamation when he heard the news, as preserved in the tradition of the next generation,--"When he gets to hell, let him greet Hubert Walter," and, as earlier in the case of Hubert himself, "Now by the feet of God am I first king and lord of England,"--and, more trustworthy perhaps, the rapid decline of events after Geoffrey's death towards civil war and revolution, lead us to believe that like many a great judge he exercised a stronger influence over the actual history of his age than appears in any contemporary record.


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