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Searchology Directory 18
Page 01
From Brussels Barent van Orley (1491?-1542) left early for Italy, and became essentially Italian, though retaining some Flemish color. He painted in oil, tempera, and for glass, and is supposed to have gained his brilliant colors by using a gilt ground. His early works remind one of David. Cocxie (1499-1592), the Flemish Raphael, was but an indifferent imitator of the Italian Raphael. At Liege the Romanists, so called, began with Lambert Lombard (1505-1566), of whose work nothing authentic remains except drawings. At Bruges Peeter Pourbus (1510?-1584) was about the last one of the good portrait-painters of the time. Another excellent portrait-painter, a pupil of Scorel, was Antonio Moro (1512?-1578?). He had much dignity, force, and elaborateness of costume, and stood quite by himself. There were other painters of the time who were born or trained in Flanders, and yet became so naturalized in other countries that in their work they do not belong to Flanders. Neuchatel (1527?-1590?), Geldorp (1553-1616?), Calvaert (1540?-1619), Spranger (1546-1627?), and others, were of this group.
A volume might be filled with stories of the strange and exciting incidents that grew out of this pretended popish plot. Its consequences extended disastrously through many years, and involved a vast number of innocent persons in irretrievable ruin. The true character of Oates and his accomplices was, however, at length fully proved, and they themselves suffered the fate at last which they had brought upon others. The whole affair was a disgrace to the age. There is no circumstance connected with it which can be looked upon with any pleasure except King Charles's fidelity to his injured wife in refusing to abandon her, though he no longer loved her. His defense of her innocence, involving, as it did, a continuance of the matrimonial tie, which bound them together when all the world supposed that he wished it sundered, seems to have resulted from a conscientious sense of duty, and implies certain latent traits of generosity and nobleness in Charles's character, which, though ordinarily overpowered and nullified by the influences of folly and vice, still always seem to have maintained their hold, and to come out to view from time to time, in the course of the gay monarch's life, whenever any emergency occurred sufficient to call them into action.
The river was smooth for a little distance, when we proceeded once more with our navigation; but soon it became narrow--only 40 to 50 m. wide--with strong eddies in its deep channel between rocky sides. Some magnificent sand beaches 15 to 20 ft. high were observed, particularly on the right bank, not far from a tributary 3 m. wide which entered the main river on the left side. Lower down, the river described a sharp turn, and there we met another most dangerous rapid. It was entered by a passage 50 m. wide, after which a circular basin of rock--evidently an ancient crater--100 m. in diameter appeared; then the water flowed out with terrific force by a channel only 30 m. wide. The stream produced prodigious eddies in the circular basin. Waves of great height were dashed to and fro from one side to the other of the narrow channel, between high rocks on either side. The water flowed first in a direction E.S.E. for 500 m., then turned off suddenly to due east for a distance of 400 m. That spot was most difficult for us to go through.
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